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Looking For My Unique Woman

October 30, 2017 Leave a comment

There are some amazing women in literature. I need to find a woman as fascinating and desirable as Lisbeth Salander is in Stieg Larsson’s ‘The Girl With The Dragon Tattoo’. To find a woman like her, in my reality or in my fiction would be exciting beyond imagination. I need to find a woman equally unique about whom I could write.

In ‘The First Deadly Sin’ by Lawrence Sanders, a bold, sensual woman named Celia Montfort was unlike any other woman I had ever met in a story. She was completely different from Lisbeth Salander and fascinating in different ways. Both characters had large parts of their lives hidden. Not out of fear of attack or anything like that. It just was more comfortable for them to keep themselves to themselves. There was not a lot of soul-searching and plotting to be as unique as they are – it was just the way they are.

All characters one creates must quite naturally be based on characters one has known in life. Usually, one takes characteristics from several acquaintances and weaves them together into one interesting character. I am pondering my unique woman as I begin to create her. I remember a time several decades ago, when I found myself in a huge rockabilly nightclub in Savanah, Georgia. Center stage there was a young blonde woman singing and shaking. There were two physical characteristics of that woman with which I will begin my search for my unique woman.

She was more than six feet tall with a gorgeous avalanche of lively, radiant, bouncing blonde hair flowing out from the ten-gallon straw hat she wore. Her shape was hidden behind her large bib overalls. The effect was enticing, because her large breasts, narrow waist and parts of her hips flashed creamy white skin through various openings in the overalls. Bare feet projected out of the long legs of the overalls.

I hope to use her as a framework for my uniquely exciting woman. If I can properly imbue her with unique characteristics, I might be able to write stories about her as a heroine or anti-heroine. I expect a challenge because of her unique size. Admittedly, it does give me an open opportunity to use her size to justify some of her unique characteristics. At the same time, it might go against my ability to make her sexy or intimately appealing. I will just have to start a story and let it lead me to answers.

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My Second Wife

October 14, 2017 Leave a comment

This one is really stupid. I don’t mean that Masha was stupid, I mean I was stupid. Well, she was maybe stupid, but certainly a sociopath. I was forty, and my first wife had grown cold and usually rejected me. I was out in the world, and was given reason to believe that some women found me attractive. It was confirmed at the annual Christmas party. One attractive female executive, one broadcast producer, and one very young receptionist all loosened up with drink and came to my office one at a time, and told me they wanted me.

It was shocking. I didn’t know that I was seen that way at the office. The broadcast producer said, “Do I have to beg? I will if I have to.” The lady executive just entered my office, closed the door behind her and leaned back on it. She just looked at me long and hard for about 20 seconds before she flung the door open and walked out. The 19 year old receptionist said, “Nobody has been able to give me a penetration orgasm, but I think you’re the one that can.”

I had never experienced such boldness, and I felt embarrassed. I loved the woman who rejected me, and other women wanted me. It was not right, and I was obviously at a life-altering crossroad. I have since come to regret I didn’t enjoy any of those three women, but at the time I was feeling insecure.

In the months following the office party, I noticed a shapely young woman in the stenographer pool. She had a face like a China doll, although she was not Asian. She had an irregular sway when she walked, and it attracted me. We chatted a few times, having met in the coffee room at the office. We were friendly.

I sensed that she was not a ‘normal’ office worker. I believed that she was probably promiscuous, although she was married. One day I saw her carrying a tray of coffee and donuts to a meeting room. I walked up behind her and circled her with my arms and cupped her breasts in my two hands. She giggled and feigned embarrassment, so I was assured my judgment was correct.

We eventually left our spouses and became a couple. We never officially married, but I consider her my second wife because we lived together as a married couple. My 12 year old son lived with us for part of the time.

She had told me that she was formerly a stripper, and now she said she’d like to quit the office work and return to stripping. I thought that was pretty exciting, so I went along with it. Eventually, I began to make tapes of her music for the strip joint that was called, “Le Strip”. I even designed and made a couple of costumes for her. It was fun.

Then she cheated. She was dancing in a bar when a popular television newsman came in to the place. She spent that night with him, and hurried to me in the morning to tell me about it. In that moment I decided I was done with her, and would disentangle myself after 4 years together. She then began to watch the guy on television. She had never watched news before, and she obviously didn’t care how it felt to me.  There were many other moments of that kind until I came to realize she was a sociopath and unable to feel. She even told me once, early in our relationship, that she didn’t know what love is.

I will have to write more about her in the future, because there’s too much to tell here and now. I split from her and enjoyed a really active social and sex life for a couple of years, while getting over the breakup. I acquired a good position in a distant city, and left my home town behind. The pleasures of bachelorhood continued in the new place.

The Future Of Entertainment

September 13, 2017 Leave a comment

All of the deliberately contrived adventures that serve as our entertainment will be even more contrived in the future. By contrived, I mean scripted, performed, and recorded for public entertainment. Similarly, documentaries and sporting events which are less contrived will nevertheless be altered in the future. We can only hope that the thrill of the chase, the euphoria of victory, and the heartbreak of defeat will continue to stimulate society in more contrived forms.

Movie theaters will be replaced by Holo theaters. Those will be hologram theaters, in the round. Full dimensional events will perform before the 360 degree audience. The holograms will rotate slowly, so the entire audience will see the entire chain of events from every angle.

Automobile racing of every kind will die off as popular sports. Cars will not need cockpits, as in single-seater Formula One and Indy Cars. Stock cars will be flat sleds. All will be driverless, as artificial intelligence will guide the vehicles. There will be no flaws, no differences, no competition because the spirit of humans will be excluded. The public will quickly tire of the flawless predictability of most anything.

Everything from basketball to football and baseball will be afflicted with the same predictable perfection. Horse racing, stage shows, and carnivals will lose their luster because the imperfect senses of participants will be removed. The populace will live virtual lives with their eyes covered by virtual reality goggles, and all will be bland.

Some Call It Dancing – Part Four

July 18, 2017 Leave a comment

Marisa was beautiful, with long, golden hair that looked stunning against her chocolate coloured skin.  Marisa’s real name was Caroline Shaw.  She had been Carl Shaw before her transformation, and she was the closest thing to a friend that Sylvia had among her associates in the small universe of exotic dancers and club workers.  Marisa was still big as a man.  For the more observant, her large hands and feet, and her height of almost six feet would tell of her original gender.  Sylvia held the pungent smoke in her lungs and handed the joint back to Marisa, who lifted it carefully to her full, red lips.

“Come to my place after work”, she said before taking a long pull of smoke and dropping the small but into an ashtray.  Sylvia exhaled a long stream of bluish-white smoke into the air before she responded.

“What’s up?” Sylvia asked.  “I’m pretty tired after running back and forth from this place to the Ziggidy Bar.  Two sets an hour, with a run up and down the street in between really takes it out of me”.

“For one thing, sweetie”, Marisa said as she prepared for her own on-stage set, “I finished the slave girl costume you wanted me to make for you.  I must say, it looks great.  It’s a good idea you have for it.  The idiots in the audience will love it”.

“For another thing?” asked Sylvia, checking her make up in the mirror.

“I have a bit of special information for you that I think you’ll find interesting”, Marisa said, deliberately teasing Sylvia.

“So tell me now”, said Sylvia.

“No way… not around here.  You won’t want anybody else to know about it”, she said.  The other girls at the make up counter stopped talking together.

“Hey!” said Princess, a young girl with a muscular body. “What’s with the secrets here?  Share, ladies… share if you care”.

“It wouldn’t help you to know, Princess”, said Marisa with an arrogant toss of her blond mane.

“Fuck you”, said Princess.  “You fag-broads make me sick the way you hang together”.

“Eat your heart out, bitch!” said Marisa.  She turned back to Sylvia.  “So come over, Sweetie.  I want to check the fit of the slave girl outfit before I do the final sewing”.

“Wait for me then, after your show.  We can share a cab”.

Some Call It Dancing – Part Three

July 15, 2017 Leave a comment

“Ready”, Sylvia said.  She hung up the phone, stood and waited at the stage door.  The Red Foxx recording stopped abruptly in the middle of a dirty joke and Tony’s voice echoed flatly in the auditorium.

“Now ladies and gentlemen, the always exciting, sweet and slender ‘Angel”.  A ripple of applause was drowned out by the opening strains of Rod Stewart’s version of ‘Tonight’s The Night’.  Sylvia pushed the stage door open and strode proudly into the red spotlight, which followed her to centre stage.  She swung into her improvised routine, moving with slow, gentle grace to the sensual music.

The audience applauded appreciatively.  Sylvia, whose appearance fitted well with her stage name ‘Angel’, was a favourite with the ‘regulars’ at Paris Paradise.  Unlike any of the other girls, Sylvia looked into the faces of her audience during her performances.  The audiences were accustomed to the sulky, resentful expressions usually shown by the dancers.  But Sylvia liked showing herself, and she liked the easy money that stripping brought her.  The lonely, rejected men in the audience were made to feel warm toward Sylvia.  They saw her as a real person who existed in places not connected with her nude dancing in Paris Paradise.

Not until the song ended did Sylvia remove the outer layer of her costume.  The audience didn’t object.  She danced beautifully, and her warm, friendly personality extended out of the red spotlight, over the footlights, and into the hearts of the men in the audience.

The second song came on, and offered a change of pace.  Frank Sinatra’s voice filled the room with ‘You Make Me Feel So Young’, and Sylvia swung and spun as if the lyrics were guiding her.  Her long, well-shaped legs swept her from one side of the stage to the other, affording all members of the audience a close look at her muscled body.  This, too, endeared her to the audience.  Most often, the dancers kept to the centre of the stage, robbing those on the extreme left and right sides of the audience of a clear view of what they’d paid to see.

Sylvia’s routine unfolded like a flower, shedding petals.  Songs by Neil Diamond and Lou Rawls provided the balance of her music.  The audience applauded enthusiastically, whistled, and called for more… more… as Sylvia gathered up her costume and ducked backstage and into the dressing room.

After she showered in the small stall at the back of the dressing room, Sylvia came out to her place in front of the mirror.  She relaxed for a few minutes before dressing in her street clothes.  Marisa, a tall, lean black girl sucked on a joint and handed it to Sylvia.  Marisa was a transsexual in her twenties.  She was born male, and by the time she had turned nineteen, she’d had several operations to become the woman she always felt she should have been.  Her own father was the surgeon who helped her make the transition because he couldn’t bear to see her suffering as she did when she wore the male body that felt to her like a prison.  She had been a female in every way but physically and never knew a happy moment until she became a woman.  Finally, she took great joy and satisfaction in earning her living exhibiting her altered body.

“Ready”, Sylvia said.  She hung up the phone, stood and waited at the stage door.  The Red Foxx recording stopped abruptly in the middle of a dirty joke and Tony’s voice echoed flatly in the auditorium.

“Now ladies and gentlemen, the always exciting, sweet and slender ‘Angel”.  A ripple of applause was drowned out by the opening strains of Rod Stewart’s version of ‘Tonight’s The Night’.  Sylvia pushed the stage door open and strode proudly into the red spotlight, which followed her to centre stage.  She swung into her improvised routine, moving with slow, gentle grace to the sensual music.

The audience applauded appreciatively.  Sylvia, whose appearance fitted well with her stage name ‘Angel’, was a favourite with the ‘regulars’ at Paris Paradise.  Unlike any of the other girls, Sylvia looked into the faces of her audience during her performances.  The audiences were accustomed to the sulky, resentful expressions usually shown by the dancers.  But Sylvia liked showing herself, and she liked the easy money that stripping brought her.  The lonely, rejected men in the audience were made to feel warm toward Sylvia.  They saw her as a real person who existed in places not connected with her nude dancing in Paris Paradise.

Not until the song ended did Sylvia remove the outer layer of her costume.  The audience didn’t object.  She danced beautifully, and her warm, friendly personality extended out of the red spotlight, over the footlights, and into the hearts of the men in the audience.

The second song came on, and offered a change of pace.  Frank Sinatra’s voice filled the room with ‘You Make Me Feel So Young’, and Sylvia swung and spun as if the lyrics were guiding her.  Her long, well-shaped legs swept her from one side of the stage to the other, affording all members of the audience a close look at her muscled body.  This, too, endeared her to the audience.  Most often, the dancers kept to the centre of the stage, robbing those on the extreme left and right sides of the audience of a clear view of what they’d paid to see.

Sylvia’s routine unfolded like a flower, shedding petals.  Songs by Neil Diamond and Lou Rawls provided the balance of her music.  The audience applauded enthusiastically, whistled, and called for more… more… as Sylvia gathered up her costume and ducked backstage and into the dressing room.

After she showered in the small stall at the back of the dressing room, Sylvia came out to her place in front of the mirror.  She relaxed for a few minutes before dressing in her street clothes.  Marisa, a tall, lean black girl sucked on a joint and handed it to Sylvia.  Marisa was a transsexual in her twenties.  She was born male, and by the time she had turned nineteen, she’d had several operations to become the woman she always felt she should have been.  Her own father was the surgeon who helped her make the transition because he couldn’t bear to see her suffering as she did when she wore the male body that felt to her like a prison.  She had been a female in every way but physically and never knew a happy moment until she became a woman.  Finally, she took great joy and satisfaction in earning her living exhibiting her altered body.

Some Call It Dancing – Part Two

July 14, 2017 Leave a comment

Head down, walking faster, Sylvia scuttled past the line of men who stood against the back wall, staring at Duchess as she dropped her sequinned top onto an on-stage sofa, revealing bold, unnatural silicone breasts.

As Sylvia passed, each man suddenly became aware of her, and turned to watch her hurry into the dressing room at the opposite side of the dimly lit auditorium.  The rows of theater seats were filled with men who were eagerly staring at Duchess, waiting for the magic moment when she would snap off her G-string and reveal her shaved pubic area.  The management didn’t make it mandatory for the girls to reveal their privates, but Duchess always did.  She needed the extra ten dollars that Borden, the manager, paid for any show in which the girl showed it all.  In truth, Duchess also enjoyed the thrill she got from showing everything.

Inside the long, narrow dressing room, girls sat at the counter that ran the length of the room.  Large mirrors were mounted on the wall over the counter, each illuminated with glaring bulbs.  The counter was littered with a variety of cosmetic bottles, jars, and occasionally, pieces of costume.  A red feather here, a crumpled G-string there, breast pasties and other of the strippers’ paraphernalia.  Of the eight small chairs that sat at the counter, three were empty.  One was Sylvia’s, one was for Duchess who was nearing the end of her on-stage stint, and one was for Rickie, a girl who had the day off.  Other dancers, in various stages of undress, occupied the other five places.  One of the other dancers, a woman who looked a bit too old and bulky to show herself nude for a living, sucked on a small brass pipe and expelled a stream of fragrant smoke toward the ceiling.  She looked over at Sylvia who was undressing hurriedly and putting on her costume in layers of opposite order to which she would remove them on stage.

“Better hurry, Angel.  Sounds like Duchess’s music is about to end”, she said.  At that moment, appreciative shouts and applause were heard from the audience.  “There goes her g-string”, the woman said as she put the small pipe to her lips.  Sylvia didn’t answer, but calmly continues to dress in her layered costume, checking each garment in the mirror before her.  The door from the stage swung open and closed again as Duchess entered carrying her discarded costume in a bundle held to her chest.  Her very white skin glistened with sweat.  The sound of a Red Foxx comedy recording could be heard through the door.  It filled the intermission between acts.  Within a few minutes Sylvia was ready, touching up her makeup in the mirror.  An intercom phone on the wall rang.  She reached for it and held it to her ear.  Tony, who was on duty in the control room, said it was time to go on.

 

Some Call It Dancing – Part One

July 13, 2017 Leave a comment

Yonge Street was teeming with traffic.  Downtown sidewalks were crowded with young men who lived in the inner-city core, lounging in front of the bars and clubs that line the broad street.  Other young men from the suburbs walked up and down, obviously out of their element, visiting the hectic downtown area looking for excitement.  It was the usual Friday night scene, typical of a warm summer night.  Cars lined up, patiently creeping from traffic signal to traffic signal, curb cruising as the young occupants gawked at the characters on the sidewalks.  The festive atmosphere permeated the entire scene.  It was always so – summer Friday nights, with high-school youths enjoying an after-school adventure, mixing together with urban sophists, drug dealers and users.

Even in her street clothes, which consisted of loose, baggy, faded jeans and an old cotton top with crudely stitched repairs on several of the seams, Sylvia Vichnorski did not go unnoticed.  Even as she scurried down the street hauling her gym bag, the sensual movements of her walk attracted unwanted attention.  Some young men tried to see her face as she passed.  There could be no eye contact.  She kept her face tilted down and to the side, avoiding any possibility of connection.

She hurried across Dundas Square, past a giant, brightly-lit music store.  Deftly side stepping some boys, who tumbled out onto the sidewalk, excited about their acquisitions of the latest popular music discs.  A few more steps and she turned into a narrow doorway between a pawnshop and a pizza parlour.  A small marquee with blazing bulbs declared this entrance to “Paris Paradise – GIRLS GIRLS GIRLS – Toronto’s most beautiful nude dancers”.

Barely slowing her pace, Sylvia hurried up the steep, narrow stairs, struggling with the heavy gym bag.  The pounding sound of bump and grind music poured down the stairs.  She heard some men enter behind her at the bottom of the stairs and almost ran the rest of the way to the top.  She thrusts open the door and hurried into the darkened theatre amid the deafening music.  She glanced at the stage where a red spotlight was following a semi-naked girl who was writhing with bored repetitiveness.  She felt a moment of relief, knowing she had not missed her show.  Duchess was on stage, and Sylvia knew that her music track had another six or seven minutes to go.  It meant Sylvia had enough time to get ready to go on.